Today I’m so pleased of sharing with you the release of the paper “The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’” in Jazz Research Journal, Equinox Publishing (England). For me, publishing a paper on an American trumpeter in one of the more important (maybe the most) jazz […]
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Last Friday I took part in the brand new Master in Flamenco Analysis and Research, within the New Tendencies in flamenco theory and practice, in the beautiful city of Granada. It was six hours of high intensity, but I was lucky enough to find an excellent group of students, and go through the chronology of […]
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Next 14th of May I’ll be performing the conferente “The Jazz – Flamenco relation in the XXth Century: an analytical approach” at La Madraza. Centro de Cultura Contemporánea. Universidad de Granada. It will begin at 19:00 in the Sala del Mural – Palacio de la Madraza, with free entry until the space is filled. The jazz […]
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Hello everyone! As you have notice, I didn’t publish anything in the social media in the last two months. I spent most of the time restructuring everything in order to encourage a clearer process of communication, and a better information transmission as well. And of course, I also kept the frantic activity in the education, […]
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Next 4th of December I perform the exams for a definitive position in the University of Málaga. It needs a long explanation for those with no contact with the Access system to the Spanish University, but basically you have to defend your CV, a research project and a teaching project before a committee of experts […]
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Retomo este blog intermitente para trazar una línea que atraviesa, casi de forma quirúrgica, dos estaciones. El pasado mes de septiembre, en puertas del otoño, comencé una investigación que venía un tiempo rondándome la cabeza. Pese a ser la guitarra mi instrumento principal/oficial, siempre me intrigó la manera en la que los cantaores flamencos planteaban […]
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Miles Davis y su saeta, algunas consideraciones. El pasado 21 de octubre participé, junto a mi compañero de la Universidad de Granada Miguel Ángel Berlanga, en el XIV Congreso de la SiBE, presentando un trabajo sobre Miles Davis y los orígenes de su Saeta. Ya habíamos asistido al congreso de Rhythm Changes, llamado este año […]
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